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Dazzling film awards tear up the Hong Kong script

  • Controversial documentary takes top prize as other pictures cash in at the box office to prove cinema industry doom-mongers wrong
Topic | Hong Kong

SCMP Editorial

Published:

Updated:

The spotlight returned as the city honoured the best in the film industry with the first onstage ceremony since the pandemic. As occasionally in the past, there were disputes over individual award decisions – this time the crowning of a scandal-hit documentary as best picture. But such controversy is no reason to discredit the achievement of many who continue to produce, entertain and inspire in challenging times.

The return of the red carpet at the Hong Kong Cultural Centre on Sunday was not just symbolic. It has ushered in a new episode after years of intermittent curbs and disruptions to both filming and screening. The gala evening, where old and new faces gathered to showcase and celebrate success, was as much an anticipated event for film lovers as for the industry itself.

The top prize for To My Nineteen-year-old Self, a coming-of-age documentary tracking the lives of six youngsters at Ying Wa Girls’ School over the course of 10 years, would not have become a bone of contention had it not been embroiled in an ethical dispute. Originally a school fundraising project, the presentation by award-winning director Mabel Cheung Yuen-ting was pulled from cinemas after some girls objected to public screenings. It nonetheless clinched the best picture title, despite the school withdrawing from the event.

The 41st Hong Kong Film Awards featured fewer movies than normal, owing to last year’s devastating Covid-19 outbreak. But the outcome was pretty favourable considering cinemas were shut for four months. There were also fears the pandemic might have killed off the struggling industry with many previously involved said to have switched to less glamorous jobs to earn a living.

Despite the hardship, a few local films defied the odds to pocket some of the highest earnings. Rich takings at the box office do not necessarily signal a change of fortune, but they give much-needed recognition and support to the industry.

Show business has not only brought glitz and glamour but also, as a pillar of the creative industries, it shapes cultural identity and drives new growth. As the pandemic eases and opportunities return, brighter prospects do lie ahead.

Editorials represent the views of the South China Morning Post on the issues of the day.
Hong Kong Asian cinema: Hong Kong film Hong Kong Film Awards

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The spotlight returned as the city honoured the best in the film industry with the first onstage ceremony since the pandemic. As occasionally in the past, there were disputes over individual award decisions – this time the crowning of a scandal-hit documentary as best picture. But such controversy is no reason to discredit the achievement of many who continue to produce, entertain and inspire in challenging times.

The return of the red carpet at the Hong Kong Cultural Centre on Sunday was not just symbolic. It has ushered in a new episode after years of intermittent curbs and disruptions to both filming and screening. The gala evening, where old and new faces gathered to showcase and celebrate success, was as much an anticipated event for film lovers as for the industry itself.


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Editorials represent the views of the South China Morning Post on the issues of the day.
Hong Kong Asian cinema: Hong Kong film Hong Kong Film Awards
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