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Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood

  • Yoshitomo Nara, one of Japan’s leading contemporary artists, talks about his influences, from punk rock to Kraftwerk, and what drives him – it isn’t money

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Yoshitomo Nara at Hong Kong University, where he gave a public talk this January. The contemporary artist opens up about his journey from the Japanese countryside to Tokyo to Germany and back, and his pursuit of the freedom he enjoyed as a child. Photo: Yik Yeung-man

I am from Aomori, in the north of Japan’s main island of Honshu. It is a rural area known for the production of apples.

Farmers there are quite poor and most people who grow up there don’t enjoy a high level of education. My mum, who came from a farming family, wasn’t an exception and she didn’t go to high school.

My father came from a more prominent family. His father was a Shinto priest and initially he set out to become a priest himself.

My father was working at the shrine when my brothers were born – they are about eight and nine years older than me. Growing up, they got a lot of attention because my dad was a priest and well respected in the community.

Nara as a child with his mother circa 1960. Photo: Yoshitomo Nara
Nara as a child with his mother circa 1960. Photo: Yoshitomo Nara

Working parents

I guess my father didn’t like being a priest because he quit, took a test to become a civil servant and started working for City Hall.

Kate Whitehead is a journalist and author of two Hong Kong crime books, After Suzie and Hong Kong Murders. She is also a qualified psychotherapist and recently won the MIND Media Award for the second consecutive year.
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